The position in five jurisdictions
Each row gives the position in one sentence, with the authority, document, date and link. Every link was opened on 21 Sep 2026.
| Jurisdiction | Position in one sentence | Authority and document | Date | Link |
|---|---|---|---|---|
| United States | Copyright does not extend to purely AI-generated material, and prompts alone do not give enough control, but human-authored expression and creative selection, arrangement or modification can be protected. | US Copyright Office, Copyright and Artificial Intelligence, Part 2: Copyrightability | 29 Jan 2025 | copyright.gov |
| United States, courts | The Supreme Court declined to review Thaler v. Perlmutter, leaving in place the appeal ruling of 18 Mar 2025 that the Copyright Act requires a human author. | US Supreme Court, docket 25-449 | 2 Mar 2026 | supremecourt.gov |
| United Kingdom, law today | A computer-generated work is protected for 50 years, and its author is the person who made the arrangements necessary for its creation. | Copyright, Designs and Patents Act 1988, sections 9(3) and 12(7) | Enacted 1988, in force | legislation.gov.uk: section 9; section 12 |
| United Kingdom, proposal | The Government proposes to remove protection for wholly computer-generated works and keep it for AI-assisted works. | UK Government, Report on Copyright and Artificial Intelligence | 18 Mar 2026 | gov.uk |
| European Union, authorship | No EU law names AI: a work must be its author’s own intellectual creation, and the Parliament has said content fully generated by AI should not be protected. | Court of Justice, Infopaq, C-5/08, and a non-binding European Parliament resolution | 16 Jul 2009 and 10 Mar 2026 | eur-lex.europa.eu; europarl.europa.eu |
| European Union, labelling | Article 50 of the AI Act is about transparency, not ownership: AI-generated audio must carry a machine-readable mark. | Regulation (EU) 2024/1689, Article 50, and the Commission’s questions and answers | Applies from 2 Aug 2026. Marking duty for systems already on the market: from 2 Dec 2026 | eur-lex.europa.eu; digital-strategy.ec.europa.eu |
| Japan | Material generated autonomously by AI is not a work, but it is one when a person uses AI as a tool with creative intention and creative contribution. | Agency for Cultural Affairs, General Understanding on AI and Copyright in Japan, overview | May 2024 | bunka.go.jp |
| Türkiye, law today | The law does not mention AI: a work must bear the characteristic of its author, and the author is the person who creates it. | Law No. 5846 on Intellectual and Artistic Works, Articles 1/B and 8 | Consolidated text read 21 Sep 2026 | mevzuat.gov.tr |
| Türkiye, proposal | A bill, not law, would require licences for AI training and for commercial use of AI output that replaces human-made work. | Grand National Assembly, bill 2/3634 | Submitted 11 Mar 2026 | cdn.tbmm.gov.tr |
United States
The Copyright Office’s answer is that existing law is enough. Its report concludes that no new legislation is needed, that using AI as an assisting tool does not remove protection, and that whether a human contribution is enough is decided case by case (US Copyright Office, Part 2 report).
For a song, that points to what you made: your lyrics, your recorded vocal, your beat, and how you selected and arranged generated material. If you register a work, the Office’s guidance says you have a duty to disclose AI-generated content and to exclude any that is more than minimal (US Copyright Office guidance, 16 Mar 2023).
United Kingdom
The UK is the outlier, for now. The 1988 Act has protected computer-generated works from the start. The Government’s March 2026 report says that this protection departs from copyright’s purpose of rewarding human creativity, and proposes to remove it (UK Government report, 18 Mar 2026). A proposal is not a change in the law, and the report sets no date.
One point in the report matters for music. UK law also protects sound recordings, a separate right that belongs to the producer and does not depend on originality. The report says that if section 9(3) went, AI-generated music could continue to be protected as a sound recording. That right covers one recording, not the underlying song.
European Union
EU copyright law says nothing about AI authorship. Protection turns on originality: the work must be its author’s own intellectual creation (CJEU, Infopaq, C-5/08). The UK report above reads that standard as tied to human creativity and concludes that wholly AI-generated output is unlikely to be protected in the EU. On 10 Mar 2026 the European Parliament took the same view in a non-binding resolution passed by 460 votes to 71 (European Parliament, 10 Mar 2026).
The AI Act is a different subject. Article 50 has applied since 2 Aug 2026 and makes providers mark synthetic audio in a machine-readable way. Systems already on the market before that date have until 2 Dec 2026 to meet the marking duty (European Commission, 24 Jul 2026).
Japan
Japan’s guidance asks whether a person used AI as a tool. A simple prompt is not enough. The factors it lists are the amount and content of your instructions, how you revised them across attempts, and creative choices in selecting output. A long prompt that only states an idea does not count, and anything creative you add by hand is protected as usual (Agency for Cultural Affairs, May 2024). The document gives the view of a government council and is not legally binding.
Türkiye
We found no official Turkish guidance on AI-generated works, so this row rests on the statute alone. Law No. 5846 defines a work as an intellectual or artistic product that bears the characteristic of its author, and the author as the person who creates it. The consolidated text did not mention artificial intelligence when we read it on 21 Sep 2026 (Law No. 5846, mevzuat.gov.tr). How a court would treat a fully generated song is untested as far as we could find.
A bill submitted on 11 Mar 2026 would add collective licensing for AI training and for commercial use of AI output that stands in for human-made work. It was sent to committee on 9 Apr 2026 and is not in the consolidated text (TBMM, bill 2/3634).
What this means for a track you made with AI
In most places the safest assumption is that the generated part of a track is unprotected and the human part is protected.
- Add something of your own. Lyrics, a recorded vocal, a beat, an arrangement. On Lyro you can start from your own vocal or your own beat.
- Unprotected does not mean safe. A generated track can still resemble an existing song, and then that song’s owner has a claim.
- A licence is a separate thing. A tool’s terms decide what you may do with its output. Ours are on the music rights page, and who owns AI-generated music explains the contract side.
Platform rules are in our policy tracker for Spotify and four other services. For a release that matters, ask a music lawyer in your country.
Questions
Is AI-generated music copyright free?
No. In the US, purely AI-generated material has no copyright of its own, but that does not make a track free to use. It may copy an existing song, the parts a person made are protected, and the tool’s terms still apply.
Can I register an AI-generated song with the US Copyright Office?
You can register the human-authored parts, such as your lyrics or your recorded vocal. The Office’s guidance says applicants must disclose AI-generated content and exclude any that is more than minimal (US Copyright Office guidance, 16 Mar 2023).
Who is the author of AI-generated music in the UK?
Under section 9(3) of the Copyright, Designs and Patents Act 1988, the person who made the arrangements necessary for the work’s creation. Protection lasts 50 years. In March 2026 the Government proposed removing it (UK Government report, 18 Mar 2026).
Does the EU AI Act give copyright to AI music?
No. Article 50 deals with transparency: marking and disclosing AI-generated content. It applies from 2 Aug 2026 (EU AI Act, Article 50), with until 2 Dec 2026 for the marking duty on systems already on the market (European Commission, 24 Jul 2026). Whether copyright exists is decided by copyright law.
Does Turkish law protect AI-generated music?
Law No. 5846 does not mention AI. It protects works that bear the characteristic of their author, and we found no official guidance or court ruling on fully generated music (Law No. 5846, mevzuat.gov.tr).
Sources
- US Copyright Office, Copyright and Artificial Intelligence, Part 2: Copyrightability, 29 Jan 2025 (PDF)
- US Copyright Office, registration guidance for works containing AI-generated material, effective 16 Mar 2023 (PDF)
- US Supreme Court, docket 25-449, Thaler v. Perlmutter, petition denied 2 Mar 2026
- Copyright, Designs and Patents Act 1988, section 9 (legislation.gov.uk), read 21 Sep 2026
- Copyright, Designs and Patents Act 1988, section 12 (legislation.gov.uk), read 21 Sep 2026
- UK Government, Report on Copyright and Artificial Intelligence, 18 Mar 2026
- Court of Justice of the EU, Infopaq International v Danske Dagblades Forening, C-5/08, 16 Jul 2009
- European Parliament, press release on its resolution on copyright and generative AI, 10 Mar 2026
- Regulation (EU) 2024/1689 (Artificial Intelligence Act) of 13 Jun 2024, official text on EUR-Lex
- EU AI Act, Article 50, applies from 2 Aug 2026
- European Commission, questions and answers on the transparency obligations in Article 50 of the AI Act, updated 24 Jul 2026
- Japan Copyright Office, Agency for Cultural Affairs, “General Understanding on AI and Copyright in Japan”, overview, May 2024 (PDF)
- Türkiye, Law No. 5846 on Intellectual and Artistic Works, consolidated text on mevzuat.gov.tr (PDF, in Turkish), read 21 Sep 2026
- Grand National Assembly of Türkiye, bill 2/3634 to amend Law No. 5846, submitted 11 Mar 2026 (PDF, in Turkish)